First published in 2019, removed from print and Kindle in 2021, and republished on its three-year anniversary in 2022 as a love letter from the author to the indie literature community, Devolution is hellish, bewildering, disillusioned, rough, raw, and melancholy. And in the new 2022 edition, this book has a little something extra: an intricate prelude reflecting on exile, capitalism in traditional publishing, and the stigma following indie creators alongside the author’s experiences with earning their M.F.A. in Creative Writing at the California Institute of the Arts, and getting their foot in the art and publishing worlds between Devolution‘s initial release date and now. It also details why, out of Sanghvi’s seven original books, all of which the author unpublished in mid-2021 (along with Devolution), they decided to bring back this one (the odd book out and least recognized of the bunch), and this one alone, in what is more or less its original, untampered early-2019 form.


back cover:)
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“[Blood] Sodden Anguish/Deathbed Red (Fall 2017 Mood Board)” — a poem (2021) first published in Survivor Lit (2021) & forthcoming in full-length manuscript, Experiments in Quietus (Really Serious Literature, 2023)


[blood] sodden anguish infiltrates interrogates 

fabric dips              dyes flesh scarlet 

towels   rags    already adorn the

floor             design inspo              autumn shade

auburn burgundy           the hues of

after      sapphire runs obscure   sans

sanctum    sliced open blue blood

rinses over oxygen   gaspgasp ruby

red     slick essence   plasma specked

heart milk     artillery     arteries severed

veins plied     contorted      perverted into

themselves      triple-knotted       hurled out into

the universe          carpet bleached clean

deathbed suicide where blood runs

free