A varied, non-comprehensive compilation of artwork.
Three Images from “BLACK MATTER white [noise a c r o s s] TIME[?]” Collection (Digital Image/Text Art: 2022); Published in Gamut Magazine, Issue 1 — “White” (2022)
Artist Statement: The depicted visual poetry images here are from a brand new experimental collection of mine, titled BLACK MATTER white [noise a c r o s s] TIME[?], which is without a doubt, a multilayered examination of how white supremacy has existed throughout, impacted, and continues to exist throughout and impact the passage of “time” in our current played-out scenario. It involves erasure, warping, space, etc. (as enacted not only by the overwhelming nature of human memory as a whole, but also through the utter whitewashing of history) fused with lightly scientific, highly spiritual, and intuitive meta/pataphysical concepts. The work also plays on color theory and technology as they may coincide in our modern-day virtual worlds, the intergenerational trauma as caused by the direct colonization of my ancestors, and our ancient/past/present/and future, ongoing, perpetual universe. “Transcript of the Extraterrestrial: English Translation by SPECIMEN #@~//212, 888, 060, 073” — Runner-up Piece in Baby Teeth‘s 2022 Blackout Competition (PDF Version BELOW)Cover Art for CLOWN STAR (Poetry Collection by Marshall Woodward, Published by Gutslut Press 2022)
“epistolary study of my time on earth (abstract)”— Made using The Voidspace ZineBlack Out Generator, Published in The Voidspace Zine’s Black Out Pop-Up Issue (February 2022)“first of the mortal poets”— Made using The Voidspace ZineBlack Out Generator, Published in The Voidspace Zine’s Black Out Pop-Up Issue (February 2022)“ink clot”— Made using The Voidspace ZineBlack Out Generator, Published in The Voidspace Zine’s Black Out Pop-Up Issue (February 2022)“[program error]”— Made using The Voidspace ZineBlack Out Generator, Published in The Voidspace Zine’s Black Out Pop-Up Issue (February 2022)“scripture || fissure [sacred]”— Made using The Voidspace ZineBlack Out Generator, Published in The Voidspace Zine’s Black Out Pop-Up Issue (February 2022)“any seeping of the spine is my clearly”— Made using The Voidspace ZineBlack Out Generator, Published in The Voidspace Zine’s Black Out Pop-Up Issue (February 2022)
“The Loveliest Place on Earth” (Mixed Media: 2021) — Published in Voidspace Issue 1 (2022) (VIEW THE FULL VERSION HERE)[UNTITLED]: Digital Art (2021) — From Forthcoming Full-Length Collection, Experiments in Quietus (Really Serious Literature, 2023)“Somewhere Else”: Digital Photography (2016) || From “The Looking Glass” Collection, Selected as Back Cover for High Shelf Press (Issue 14), by Cathexis Northwest Press (2020)“Denim Deviant”: Digital Photography (2017) || Shown in the Santa Clarita Artists Association Spring 2020 Exhibition “Vintage”“Arctic Looking Glass” Digital Photography (2016) || From “The Looking Glass” Collection, Shown in the Santa Clarita Artists Association Fall 2020 Exhibition “Inside Out,” and Selected as Front Cover for High Shelf Press (Issue 14), by Cathexis Northwest Press (2020)“Figure 9: A canvas of pleasure, ecstasy, and [sub-]euphoric oblivion”: Digital Art (2021) {From Unpublished Manuscript Into Oblivion}“Beyond the Golden Lining”: Digital Photography (2016) || Shown in the 2020 Los Angeles stARTup Art Fair and Santa Clarita Artists Association Fall 2020 Exhibition “Inside Out”“Marionette in Liminal Decline”: Mixed Media (2020) — Published in Fatal Flaw Magazine’s “Time” Issue (2021)“A Wraith Blossoming”: Digital Painting (2021) — Published in Space City Underground: Issue 1 (2021)“sad lonely instabaddie alien”: Digital Drawing (2021) — Featured in Juice Magazine (2022)“Sirene”: Digital Art (2020) — {From Forthcoming Full-Length Collection, Experiments in Quietus (Really Serious Literature, 2023)} Published in Space City Underground: Issue 1 (2021)“The Embodiment”: Mixed Media (2020) — Published in Space City Underground: Issue 1 (2021)“A Wraith Bleeding Out”: Digital Art (2021) — Published in Brave VoicesMagazine (2022)“In Mortal Suffering and Suffocation”: Digital Drawing (2021) {From Unpublished Manuscript Into Oblivion} — Published in Hallowzine (2021)“Another Snapshot in the Family Album”: Mixed Media (2021) — Featured in Juice Magazine (2022)“Sun Alien”: Digital Drawing (2021) — Published in Delicate Friend Magazine (2021)“Alien Claw Blood Soul” Digital Art (2021) — Published in Hallowzine (2021)“[in]transpiring: a psychosomatic [re-]glitch[ing]“: Digital Art (2021) — Published in The Disappointed Housewife“”Wraith Vamp Hot Girl Milton has Risen from the Dead!!!”: Digital Drawing (2021) — Published in warning lines magazine, Issue 003: “FALL’N CHERUB““Solar Grief”: Digital Art (2021) — Published in Curi🅐sity Kills Anthology (Compiled & Edited by v.f. Thompson) // Cover Art for Curi🅐sity Kills Anthology — February 2022 (Published and distributed by the Dionysian Public Library)“Wraith (The Subject)”: Mixed Media (2021) {From Unpublished Manuscript Into Oblivion} — Published in Hallowzine (2021)“Zipper Wraith”: Mixed Media (2021) — Published in Hallowzine (2021)[UNTITLED]: Mixed Media (2021) {From Published Book. [in]transpiring, swallow::tale press, 2021)“Baby Wraith Puppet Eating Another Wraith’s Head”: Mixed Media (2021) {From Forthcoming Book. The Great Wraith Finale, Bullshit Lit, 2022} — Published in Hallowzine (2021)“Figure 8: A transcendence or ascension of the sub-mortal: Mixed Media (2021)” — {From Unpublished Manuscript Into Oblivion}“Figure 3: Subliminal or Euphoric ethereal seascape, warped”: Digital Art (2021) || Book Manuscript, Into Oblivion“Cosmic Blood Wash”: Digital Painting (2021) — {Cover Art for Confessions of a Baby Vamp: Letters to John Milton} First Published in Survivor Lit (2021)[UNTITLED BONE ART]: Digital Art (2021) — Created & used in design for The BONEMILK Collective I (Gutslut Press, 2022), The BONEMILK Collective II (Gutslut Press, 2022), The BONEMILK Collective III (Gutslut Press, 2022), & BONEMILK MAYHEM (Gutslut Press, 2022)
“Euphoria by Midnight”: Digital Painting (2020) — Published by the winnow magazine in “NIGHTSCAPES” (2021)“Coffeeshop Wonderland”: Digital Art (2020) — Used as Cover Image for Full-Length Collection, Cerulean (2020; Out-of-Print)“Fairy Nests”: Digital Art (2020) — Published in Inverted Syntax (2020)[UNTITLED SKETCHBOOK ILLUSTRATION STUDY]: Traditional Drawing, Ink Markers (2020)[UNTITLED ILLUSTRATION STUDY OF ALFRED HITCHCOCK’S 1963 FILM, THE BIRDS]: Mixed Media (2020)“Manhattan: July 24th, 2016”: Digital Photography (2016)
“Metaphysical Inclinations” [2020: Digital Photography] || Shown at the 2020 Los Angeles stARTup Art Fair, Fusion Art’s March 2020 Art Exhibition: “4th Annual Colors Art Exhibition,” in the Santa Clarita Artists Association 2020 Art Classic, earning a Photography Merit Award, and in Fusion Art’s 4th Annual Colors Art Exhibition; Appears in Forthcoming Full-Length Hybrid, Multimedia, Experimental Book x( )-id </3 (Trickhouse Press, 2022)“Fight Cage Wonderland” [2019: Digital Photography] || Shown at the 2020 Los Angeles stARTup Art Fair, in the Santa Clarita Artists Association Spring 2020 Exhibition “Vintage” and Fusion Art’s “4th Annual Colors Art Exhibition,” Earning 2nd Place in Photography and Digital Art“Skyshore” [2020: Digital Art] || Published in Humana Obscura, Issue 2, Spring/Summer 2021“Realm of the Goddess” [2020: Digital Photography] || Shown at the 2020 Los Angeles stARTup Art Fair, Fusion Art’s “5th Landscapes Exhibition,” in the Santa Clarita Artists Association 2020 Art Classic, Earning a Photography Merit Award, and in Fusion Art’s 4th Annual Colors Art Exhibition; Appears in Forthcoming Full-Length Hybrid, Multimedia, Experimental Book x( )-id </3 (Trickhouse Press, 2022)
